Essay on Art in A Portrait of the Artist as a Young Man -- Portrait Ar

Art in A depicting of the Artist as a Young Man Stephen Dedalus philosophy of stratagem, uttered in his discussion with Lynch in Chapter Five, seems essentially romantic, yet the fresh is written in a very realistic mode emblematic of the twentieth century. This apparent inconsistency may direct us to one(a) way of interpreting this novel. Dedalus idea of art may be Romantic, merely because his world is no longer the world of the Romantics he has to see art more as a fundamental validation of his own organism than as a communication of a special vision. Two aspects of romanticism figure into this analysis of A Portrait of the Artist as a Young Man. First, the Romantics defining belief in some connection surrounded by the human spirit and some higher purpose, and their belief in arts capacitance to serve as the vehicle to connect the human with the divine, is the philosophical underpinning of Dedalus chaste theory. Second, however, the Romantics also guessd that they were communicating in the words of the people, to the hearts of the people, and this Dedalus cannot quite believe he can do. He senses inchoately that communication of the Romantic vision to a modern world is impossible. Therefore, Dedalus difficult coming of age as an artist, and mayhap Joyces, records the essentially romantic, Platonic soul, struggling to emerge from the oppressive realities of the mundane world. The Platonic soul has to reject that world because it is not divine, as the Romantics rejected the skill scientific worldview, but whereas the Romantics of Wordsworths age could believe their role was to communicate this legality through poetry to the people, Stephen Dedalus can only withdraw from the world into confused theory, or a l... ...religion, its politics, its poverty, its people. Conclusion So when Dedalus finally pronounces his break from his complete upbringing, it is for this reason his Romantic soul doesnt comport very well with his realists instinct of the world. Since he cannot believe, as Wordsworth did, that the spiritually starved masses were waiting off there for his pronouncement of a Grand Vision, he does the only liaison he can&emdashhe opts out I will not serve that in which I no longer believe whether it bellow itself my home, my fatherland or my church and I will try to elicit myself in some mode of life or art as freely as I can and as wholly as I can, using for my defence the only arms I supply myself to use&emdashsilence, exile, and cunning. (247) Works CitedJoyce, James. A Portrait of the Artist as a Young Man. New York NewAmerican Library, 1991.