Distortion of Reality in "The Glass Menagerie"

Tennessee Williams?s gip ?The Glass Menagerie? is a upsurge portrayal of an unusually anxious yet charming preteen girl and her family, specifically her mother, who imposes onto her normalcy and gender ideologies that she is not fitted out(p) to handle. This play is a tragedy and as it progresses the plight of all(prenominal) character comes to its vertex at different but as crushing moments. i theme of this piece is that of the convolution of genuinely accepting the arena and oneself honestly. Reality can be pugnacious and disappointing and it is ill-fitting to watch as Laura, the little(a) protagonist, is pushed into a position that could, and does, end up causing her to suffer. Frightened of genial interaction, Laura looks to her collection of glass animals as a place of get acceptance in an visionary domain of a function that seems colorful and enticing. The pitiable realness is that it?s a world of imperfect fantasies. Laura will not shake the veneration th at she is weird and crippled, and then she herself aggravates the reality of it by escalating her illness. An example of this would be upon Jim?s arrival at the Wingfield home. Laura hears the door and immediately panics, beggary her mother to answer it. Amanda asks her directly why she cannot do it herself and Laura replies, patently without hesitation, ?I?m upset!? (Williams, 1070). By using her wellness businesss as a crutch to place herself from others she is denying her own value to the world and to herself. Tom, on the other hand, relies on self- defence to justify his concerns and feelings of insecurity. By making himself believe that he is a righteous man, news and brother, he justifies his selfishness. He puts his desires and take before those of his family, which happens to contain notwithstanding members of what was considered the weaker sex. He retreats very much to the move flight of steps, which is really not an escape at all, but is crystalize of is a pl atform tolerant the illusion of separatenes! s composition being firmly anchored to the apartment. In his final monologue, Tom describes how he never severed the contact he feels with Laura.

He says ?Oh, Laura, Laura, I tried to leave you privy me, but I am more faithful than I intended to be!? (Williams, 1089). thus far the less cardinal characters exhibit this refusal to see the truth. Amanda, the Wingfield matriarch, employs a sort of frantic denial in order to reject reality. She fills the ward off-key with the memories of her outgoing. She often digresses to a point in her life when her only problem was which of her many suitors to devote her attention as sh e attempts to pop off Laura encouragement. Even the normal, nice character Jim uses the memories saved by Laura to dead ease the ache of life?s weight. He is stuck in a crappy job so he uses his past(a) as motivation for future success. Laura?s approval feeds his consider which contributes to his inability to realize the damage he has inflicted on the fragile girl. Reference: Williams, Tennessee. The Glass Menagerie. New York: Random House, 1945. If you apprehension to get a full essay, order it on our website: OrderCustomPaper.com

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